Oxford Jam began in 2010 as a fringe event to the Skoll World Forum, offering a fully accessible and open opportunity for anyone to generate sessions around social enterprise themes. P.S. it was initiated by Ben Metz from CIVA, so thank you Ben!

 

Originally based at the Jam Factory, it moved to the Old Fire Station in 2012.

The 3-day event played host to a vast number of sessions with presenters from all over the world. It was a space for the nurturing of social economy and social finance projects.

Themes ranged from the impact of ageing on our economy, through to how to create an Amazon site for rural African farmers.

The main focus for Oxford Jam was around international development and social enterprise. Presenter and attendees were predominately from outside of Oxford.

Sessions would be a few hours long and there would be lots of social and fun wrap-around events including film nights and a cabaret night.

 
 

In 2018, another shift in theme and the focus became looking to Oxford as a place for social and system change. Marmalade started to attract a local Oxford following resulting in more engaged Oxford-based presenters, organisations and attendees.

 
 

Marmalade -  a new sort of spread

2015

In 2015, Oxford Jam became Marmalade. The Old Fire Station started to co-produce with CIVA, the programme developed and there was a shift from social enterprise towards social innovation and social justice.

To allow for in-depth conversations and thought around these topics there were fewer but longer sessions. The Old Fire Station produced an ‘Art Day’ which focused on the cultural sectors relationship with power, money and relationships.

 
 

In 2019, the themes examined were relationships and place. We believe that relationships are the foundation for social change – relationships within organisations, across organisations, and between people with different amounts of power, including those whose voices are rarely heard. We filled the building with fun, patrolled by ‘Insecurity Guards’, a campfire in the evening and a cosy living room during the day.

 

In 2021, we had to re-think Marmalade, and instead of organising lots of in-person events or (yet another) Zoom webinar, we worked with social change organisations to pair people up to talk about the big social change questions. No big conference rooms, no 100-people webinars. Just a new acquaintance and an enriching meaningful discussion. Those discussions were fed back to us and turned into a Marmalade Recipe book.

2023

For 2023, we were back doing what we love - in partnership with Skoll World Forum - getting a bunch of different people in different rooms talking about the importance of change for Oxford. Over 2,000 people signed up to 78 sessions across 18 venues in the city.

 

2024

Thanks to all those who attended the 2024 edition of Marmalade Festival. Almost 90 sessions took place between 9 and 12 April across 12 venues in Oxford.

Around 2,000 people attended, collaborated, chatted and built relationships.

We’re already looking forward to 2025, watch this space for updates.

 

Reminisce with this 10 minute overview of the 2024 edition of Marmalade Festival.

 

We at the Old Fire Station have been leading a meaningful measurement inquiry and have developed a storytelling evaluation methodology.

We worked with Barbican and Royal Exchange on this and contributed to the Disrupt Toolkit developed by Guildhall and partners.

Out of this came a conversation about how cultural organisations are engaged in working alongside different communities in so many ways and that this work raises interesting questions about who is in control and the role of cultural organisations.

It is also work that is often invisible to the wider public and media (eg most people think RET just do plays).

Anybody can pitch to host a session at the festival, so we decided to host a debate around the questions we are posing to see what emerges.

Cultural organisations spend a lot of time working alongside individuals and community groups to support them in their creativity – especially people who are facing disadvantage. But they are generally only known for the plays and exhibitions they put on.

Doing this work involves support and allyish rather than leading/directing/programming (which we are more used to).

In this session, held during Marmalade Festival 2024 (9-12 April), the 3 big questions we want to investigate are:

· Losing control is challenging. What does sharing power look like in practice?

· What does that mean for the culture of our organisations?

· How do we communicate better about this within our organisations, with our partners and artists and with the wider public?

With thanks to our hosts, Old Fire Station (OFS), Royal Exchange Theatre Manchester (RET), Barbican London, Guildhall School of Music and Drama (GSMD).

Commissioned by the OFS, Art Starts a Story was written and performed by Rawz as part of Marmalade Festival, April 2024.